The Long Dark World Map

Feedback and discussions about the opt-in Test Branch. Bugs can be reported to our Public Bug Database. Please read this post first before commenting! At The Long Dark Mountain Town Map. On this website we recommend many images about The Long Dark Mountain Town Map that we have collected from various sites from many image inspiration, and of course what we recommend is the most excellent of image for the long dark maps mountain town.

1. The Long Dark World Map With Paths
2. The Long Dark World Map 2019
3. The Long Dark Maps 2018

The Long Dark is a first-personsurvivalvideo game developed and published by Hinterland Studio. The player assumes the role of a crash-landed bush pilot who must survive the frigid Canadian wilderness after a global disaster. The game received seed financing from the Canada Media Fund, and further funding was secured through a successful Kickstarter campaign in October 2013.^[1][2]

An alpha version was released through Steam Early Access in September 2014.^[3] The alpha version was later launched on the Xbox One as one of the first two launch titles associated with Microsoft's Game Preview Program in June 2015. Early reviews of the alpha release were generally positive, and the game went on to sell around 750,000 copies by April 2016.^[4] It was officially released on all aforementioned platforms on August 1, 2017, as well as for PlayStation 4.^[5] A film adaptation has been confirmed to be in the works.

• 4Reception

Gameplay[edit]

The Long Dark is a survival game set in an open world environment and played from a first-person perspective. The game takes place in the frigid Canadian wilderness where the player assumes the role of a crash-landed pilot struggling to survive after a global disaster, (a geomagnetic storm). The gameplay is stated by the developers to be a 'survival simulation that accounts for body temperature, caloric intake, hunger/thirst, fatigue, wind-chill, wildlife, and a host of other environmental factors.'^[6] There are two game modes available to the player, 'Story mode' and 'Survival mode'. During the game's alpha release, the player had access to Sandbox (Survival) mode, with an option to spawn in one of the six regions: 'Mystery Lake', 'Coastal Highway', 'Pleasant Valley', 'Forlorn Muskeg', 'Desolation Point', and 'Timberwolf Mountain', all of which are connected together through transition zones.

The objective is for the player to survive as long as possible by scavenging and utilizing whatever resources they may find within the world. This includes commodities such as food, water, firewood, medicine, and tools such as weapons, axes, knives and a host of other items. Wildlife is also present, such as deer which can be hunted for food, and wolves and bears which are a constant threat to the player as they venture outside. All items and wildlife are randomly spawned for every new game, so no two games will be alike for the player. Tools and items degrade over time, forcing the player to make careful decisions regarding their condition and their eventual need for repair. Fire, being a primary component, is necessary for warmth and cooking. The player has to forage for wood and fuel on a regular basis to stay alive. The player can also get sick from food poisoning and disease. The Long Dark simulates a full day/night cycle which is a fundamental part of the game. The game also simulates temperature and windchill, both of which are random during every playthrough, encouraging the player to monitor the weather carefully at all times to prevent death from exposure. Initially the game did not feature varied experience modes, but due to player demand, Hinterland added three experience modes to accommodate a range of playstyles, and a fourth mode added later. The easiest mode, 'Pilgrim', is for players looking for a more exploratory experience, 'Voyageur' is a middle ground and the most well rounded with regard to exploration and survival, 'Stalker' offers a more hardcore survival experience, and 'Interloper' is for players looking for a punishing, difficult experience.

Added late in 2017, 'Custom' lets the player customize many of the gameplay elements to create a unique playstyle.

The save game system enforces careful decision making by the player, saving only when the player's avatar enters a building, sleeps, passes time or receives an injury. When the player dies, this results in permadeath and the original save file is deleted, forcing the player to start a new game.

Story mode[edit]

Story mode is episodic and was initially planned to be released late 2014, but was pushed back to late 2016.^[7]

Development was pushed back again and the game was ultimately released on August 1, 2017, with the first two episodes of the five-part story, entitled 'Wintermute', released together.^[8] Episode one was entitled 'Do Not Go Gentle' and episode two is called 'Luminance Fugue'.^[8]

A 'redux' version of episodes one and two was released in December 2018, with many changes made to the gameplay, presentation and mission structure.^[9] Episode three is scheduled to be released sometime in 2019. Episodes four and five, to complete the story, will follow later.

Development[edit]

Following completion of his work as director on Warhammer 40,000: Space Marine, Raphael van Lierop left Relic Entertainment to work on projects which he felt were 'more personal' and 'more representative of [his] values'. Van Lierop also left Vancouver, moving his family from the city to the northern part of Vancouver Island. Inspired by these new surroundings, he formed Hinterland and began to work on The Long Dark, a game about surviving the Canadian wilderness.^[1][10] Hinterland wanted to explore a post apocalyptic world from the fringes, away from the urban apocalypse, which 'we’ve all seen a million times' and away from 'B-movie cliches like zombies'.^[1][11] Van Lierop was also keen to impact a Canadian identity upon the game, having been frustrated with homogenised AAA video games which sacrificed character for mass market appeal, he summed up his approach with, 'I'm Canadian. This game is Canadian. Deal with it.'^[12][13]

When van Lierop announced the Hinterland team in September 2013, members included Alan Lawrance, formerly a lead at Volition, Marianne Krawczyk, writer of the God of War series, and David Chan, BioWare's first audio designer.^[14] A year later, they'd also be joined by Ken Rolston, the lead designer of The Elder Scrolls III: Morrowind.^[15] Hinterland operate as a virtual team, with its members working remotely. Lawrance cites his ability to work from home as a crucial factor in his decision to join Hinterland.^[16]

Hinterland obtained seed funding from the Canada Media Fund, and in September 2013, launched a Kickstarter campaign for The Long Dark to raise C$200,000 and build a community around the game.^[1] The campaign was successful, raising C$256,617 upon its completion in October 2013. PayPal contributions following the Kickstarter campaign pushed the final total to over C$275,000 by March 2014. Hinterland announced the game's voice cast during the Kickstarter campaign, allowing The Long Dark to capitalise on the actors' individual fan bases; the cast announced were Mark Meer, Elias Toufexis, Jennifer Hale and David Hayter.^[17][18] Hinterland were mindful of the game's scope, not wanting to expand the team's size and increase risk, and so limited their Kickstarter stretch goals to those that added quality, rather than those that added in-game content.^[11]

Van Lierop spoke of their studio's approach to early access at the 2015 Game Developers Conference where he warned against allowing the player community to dictate the game's direction. Van Lierop spoke of the differing play styles in the game's audience; though players that preferred a 'hardcore survival' experience were in the minority, they were most vocal in the player community. Had Hinterland pandered to those requests, they might have alienated the silent majority of their player community.^[19]

In April 2016, Van Lierop posted an update about the Story-mode release, explaining that Hinterland had elected to delay the launch of Story mode until it contained 4-6 hours of initial gameplay instead of the originally planned 2 hours. He also declined to set a release date, saying, 'You won’t get another promise from me about when it will ship, until we are close enough to being done with it that I can say with 100% certainty, and give you a definitive date that I know isn’t going to end up with us pushing out an experience we aren’t 100% satisfied with'.^[4] He pointed to the evolution of Sandbox mode as another reason for delay, saying that its popularity had grown to the point that Hinterland decided to bring back regular updates for it, even though it was originally conceived merely as a test-bed for the Story mode. His post also provided a developmental road-map with short-term, medium-term, and long-term goals for additions and improvements.^[4][20]

Reception[edit]

Early access[edit]

Following a period of alpha access exclusive to backers of the crowdfunding campaign, a version of the game featuring only its sandbox-style survival mode was released on Steam Early Access in September 2014.^[21] Early impressions from critics were generally favorable, but noted the incomplete nature of the game.

Leif Johnson, writing for PC Gamer in June 2014 felt that the game's small unchanging map rewarded rote memorisation whereas the game was most engaging when allowing the player to discover its systems.^[22] Andy Kelly, writing for the same publication a month later, praised the atmosphere, highlighting the art style, sound design and lighting. Kelly felt that the game's 'focus on atmosphere and environmental survival' made it '[stand] out in an increasingly crowded genre'.^[23]

At GameSpot, Shaun McInnis had similar thoughts, seeing that while the survival genre was becoming ever more crowded, The Long Dark was 'one of the few games in this genre focused on capturing the solitary wonder of fighting to staying alive in the brutal wilderness'.^[21] John Walker, writing at Rock, Paper, Shotgun in August 2014, enjoyed the game and found it 'impressively full of things to do', but felt that the accelerated passage of time detracted from the realism.^[24] In an early access review for GameSpot in October 2014, Nick Capozzoli too criticised unrealistic systems, noting that one should not need 'a dozen energy bars and a pound of venison to sustain yourself day-to-day' and that 'a crowbar [shouldn't] lose half its integrity after being used to pry open a couple lockers'. Instead of stretching his resources as a survivalist would, he felt 'like an insatiable force that roves through the environment, picking it clean.' Like Johnson, he criticised the limited area given to explore.^[25] With an update later that October, Hinterland doubled the size of the playable area, and expanded it again in February 2015 to bring the size of the game world to 25 km².^[26][27]

Wired writer Matt Peckham labelled The Long Dark a 'troubling yet beautiful gem',^[28] and joined IGN columnist Lucy O'Brien in recognizing the game's beautiful artistic vision, with O'Brien noting that 'Developer Hinterland has gone to great lengths to make the world itself a beautiful place to explore'.^[29] In a 2015 interview with Creative Director Raphael van Lierop about The Long Dark's launch on Xbox One, Gameranx's Holly Green addressed the unique nature of the game's survival mechanics, writing it was 'one of the first pure survival games on console, separating the genre from its horror roots and taking its themes of minimalist resource management to their most logical conclusion'.^[30]

Commercial reception[edit]

By January 2015, the game had sold 250,000 copies^[31] and by August 2015, 500,000 copies had been sold.^[32] On April 2016, Hinterland announced that over 750,000 copies had been sold across all platforms and expressed gratitude over the 99.78% approval rating from the Steam user-base.^[4]

Accolades[edit]

The game was nominated for 'Best Art Direction', 'Best Game Design' and 'Best Music/Sound Design', and won the award for both 'Best Writing' and 'Strategy/Simulation' at the 2018 Webby Awards.^[33]

References[edit]

1. ^ ^abcdSapieha, Chad (September 13, 2013). 'Post Arcade: Hinterland founder Raphael van Lierop talks about The Long Dark'. Financial Post. Retrieved March 4, 2015.
2. ^Hinterland (September 16, 2013). 'THE LONG DARK, a first-person post-disaster survival sim'. Kickstarter. Retrieved March 4, 2015.
3. ^Matulef, Jeffrey (September 18, 2014). 'Jennifer Hale voices a playable character in The Long Dark'. Eurogamer. Retrieved March 4, 2015.
4. ^ ^abcd'» Community Update: Story Mode Progress'. Archived from the original on April 8, 2016.
5. ^Donnelly, Joe. 'The Long Dark story mode launch trailer teases origins of winter apocalypse'. PC Gamer. Retrieved August 2, 2017.
6. ^'Faq - The Long Dark'. Intothelongdark.com. Retrieved September 9, 2014.
7. ^Chalk, Andy (December 16, 2015). 'The Long Dark Story Mode trailer is very dark indeed'. PC Gamer. Retrieved December 18, 2015.
8. ^ ^abMacLeod, Riley (August 9, 2017). 'The Long Dark's New Story Has Problems, But The Game Is Still Brilliant'. Kotaku.
9. ^http://www.thelongdark.com/news/episodes-one-and-two-redux-survival-mode-update/
10. ^Leigh Alexander (September 17, 2014). 'Inspiration in isolation: The Long Dark takes on a different kind of survival fiction'. Gamasutra. Retrieved March 7, 2015.
11. ^ ^abZacny, Rob (September 27, 2013). 'Talking through The Long Dark with Hinterland founder Raphael van Lierop'. PCGamesN. Retrieved March 7, 2015.
12. ^Campbell, Colin (July 1, 2014). 'The Long Dark is about self-reliance in a hard country. It is a game about Canada'. Polygon. Retrieved March 8, 2015.
13. ^McCarter, Reid (December 2, 2013). 'The Long Dark brings Canada to videogames'. Kill Screen. Archived from the original on February 14, 2015. Retrieved March 8, 2015.
14. ^Sinclair, Brendan (September 9, 2013). 'AAA devs form Hinterland'. GamesIndustry.biz. Retrieved March 7, 2015.
15. ^Haas, Rachel (September 12, 2014). 'Elder Scrolls Veteran Ken Rolston Joins The Long Dark'. IGN. Retrieved March 4, 2015.
16. ^Bowman, Mitch (October 2, 2014). 'Interview: Hinterland On Going Indie, Avoiding Zombies'. Rock, Paper, Shotgun. Retrieved March 7, 2015.
17. ^Bonifacic, Igor (July 21, 2014). 'Canadian-developed game The Long Dark was born during its creator's darkest moments'. Canada.com. Retrieved March 8, 2015.
18. ^'Case Studies: The Long Dark (CA)'. Canada Media Fund. March 12, 2014. Retrieved March 7, 2015.
19. ^Hall, Charlie (March 3, 2015). 'How The Long Dark was almost lost in the woods of early access'. Polygon. Retrieved March 4, 2015.
20. ^'The Long Dark Roadmap'. Hinterlandgames.com. Archived from the original on April 12, 2016.
21. ^ ^abMcInnis, Shaun (July 15, 2014). 'The Long Dark Is a Brutal Yet Beautiful Twist on the Survival Genre'. GameSpot. Retrieved March 8, 2015.
22. ^Johnson, Leif (June 30, 2014). 'The Long Dark: hands-on with Hinterland's single-player survival game'. PC Gamer. Retrieved March 9, 2015.
23. ^Kelly, Andy (July 29, 2014). 'Survival gets serious in The Long Dark'. PC Gamer. Retrieved March 9, 2015.
24. ^Walker, John (August 11, 2014). 'Hands On: The Long Dark Early Access'. Rock, Paper, Shotgun. Retrieved March 9, 2015.
25. ^Capozzoli, Nick (October 9, 2014). 'The Long Dark Early Access Review'. GameSpot. Retrieved March 9, 2015.
26. ^Benson, Julian (October 30, 2014). 'The Long Dark update doubles world size with new Coastal Highway'. PCGamesN. Retrieved March 8, 2015.
27. ^Brown, Fraser (February 10, 2015). 'The Long Dark gets bigger, again, and wolves can be scared off'. PCGamesN. Retrieved March 8, 2015.
28. ^'Survival Game The Long Dark Is a Troubling Yet Beautiful Gem'. Wired. Retrieved September 3, 2015.
29. ^'E3 2015: In The Long Dark, What Kills You Makes You Stronger - IGN'. Retrieved September 3, 2015.
30. ^'Exploring The Emerging Survival Genre with The Long Dark's Raphael van Lierop'. Gameranx. Retrieved September 3, 2015.
31. ^Matulef, Jeffrey (January 20, 2015). 'The Long Dark has sold 250k copies on Steam Early Access'. Eurogamer. Retrieved March 4, 2015.
32. ^'How to Survive The Long Dark'. EPN. Archived from the original on September 23, 2015. Retrieved September 10, 2015.
33. ^'2018 Winners'. The Webby Awards. April 24, 2018. Retrieved June 25, 2018.

External links[edit]

Need to know

What is it? A survival game set in the Canadian wilderness.
Expect to pay £27/$35
Developer Hinterland Studio
Publisher In-house
Reviewed on GTX 1080, Intel i5-6600K, 16GB RAM
Multiplayer None
Link Official site

The Long Dark World Map With Paths

A geomagnetic anomaly has plunged the world into darkness and rendered all technology useless, including the plane you were flying over the vast, frozen wilds of Canada. You awake surrounded by flames and wreckage—badly injured and freezing to death—and find yourself in a battle to survive in one of the most inhospitable corners of the planet. It’s a hell of a place to spend the apocalypse, and death lingers around every corner of this deadly, wintry expanse.

There are two distinct ways to play The Long Dark. There’s Wintermute, an episodic story mode that follows bush pilot Will Mackenzie as he searches for his missing friend. This is a linear experience with stylish, melancholy cutscenes exploring his past and the state of the world. Then there’s Sandbox, which lets you tell your own stories and explore at your leisure. The only objective here is surviving for as long as possible, and how you do that is left to you.

Wintermute is a good place to start. It begins with a series of tutorials designed to drip-feed the game’s systems to you. You’ll learn about treating wounds, foraging for medicinal plants, building fires, and other essential survival skills. And you’re subtly guided from one moment to the next, which means you’ll rarely get lost. Sometimes you’ll meet survivors who need your help, forcing you to complete a series of thinly-veiled fetch quests, which grind the story to a halt and feel a little too much like busywork at times.

But it’s in Sandbox mode where The Long Dark’s survival knife is sharpest. Having the freedom to explore and travel between its large, interconnected regions is more compelling than following a prescribed path. Choosing how you spend each day is more engaging than ticking off objectives. This freedom, and dynamic, unpredictable elements such as the weather, make every Sandbox game fertile ground for emergent storytelling.

Some of my most vivid memories of The Long Dark weren't created by the developers, but emerged naturally. I remember the unbearable tension of being on the edge of starvation, one bullet in my rifle, and a skittish deer in my sights. Cowering in a cave at night, campfire about to burn out, listening to wolves howling outside. Limping half-dead and hypothermic through a blizzard, only to see the silhouette of a life-saving shelter through the wall of snow.

The Long Dark World Map 2019

Wildlife is a frequent nuisance. Wolves will catch your scent and stalk you, and if they attack you’ll almost certainly be left with serious wounds. Honestly, they’re miserable to deal with, spoiling the pensive mood of the game. Surviving the elements is far more interesting to me, and I’m glad there’s a difficulty mode in Sandbox that disables animal attacks. But in story mode you have no choice but to deal with them, and they’re a real thorn in your side.

The weather is constantly in turmoil, which can change the mood of the game—and your fortunes—in an instant. One minute it’s a crisp, clear day with piercing blue skies. The next a stormfront is rolling in, wind blowing the falling snow so hard it moves horizontally. Watercolour skies shift from a blanket of looming grey to the dusky pink of early evening, painting the snowfields around you in vivid colours. It’s an incredibly atmospheric game, with a hand-painted art style that lends it a peculiar, ethereal beauty, despite how gruelling it is.

Like a lot of survival games, everything in The Long Dark boils down to managing a series of perpetually dwindling meters. Hunger, thirst, tiredness etc. But thanks to the elegant design of the simulation, and a slick, minimal UI, it’s not a game where you feel like you spend half your time buried in menus. The abundance of progress bars is slightly disappointing, however. Many actions, such as breaking a branch down for firewood or cooking food, happen off-screen, illustrated by a slowly filling circle. I would have liked to see my character interacting with the world a little more directly.

There are only a handful of really great survival games on PC, and this is one of them. The story mode has its moments, and does a decent job of telling you how the game works, but it’s when you’re creating your own stories in the sandbox that The Long Dark is at its most absorbing. Beautiful art direction and rich, nuanced sound design bring the deep forests, frozen lakes, and ragged mountains of the Canadian wilderness to life. And your endless struggle to keep the Grim Reaper at arm’s length is enormously rewarding, providing you have the patience to appreciate its slow, measured pace.

The Long Dark Maps 2018